THERE was once a poor man who lived in the fertile glen of Aherlow, at the foot of the gloomy Galtee mountains, and he had a great hump on his back: he looked just as if his body had been rolled up and placed upon his shoulders; and his head was pressed down with the weight so much that his chin, when he was sitting, used to rest upon his knees for support. The country people were rather shy of meeting him in any lonesome place, for though, poor creature, he was as harmless and as inoffensive as a new-born infant, yet his deformity was so great that he scarcely appeared to be a human creature, and some ill-minded persons had set strange stories about him afloat. He was said to have a great knowledge of herbs and charms; but certain it was that he had a mighty skilful hand in plaiting straw and rushes into hats and baskets, which was the way he made his livelihood.
Lusmore, for that was the nickname put upon him by reason of his always wearing a sprig of the fairy cap, or lusmore (the foxglove), in his little straw hat, would ever get a higher penny for his plaited work than any one else, and perhaps that was the reason why some one, out of envy, had circulated the strange stories about him. Be that as it may, it happened that he was returning one evening from the pretty town of Cahir towards Cappagh, and as little Lusmore walked very slowly, on account of the great hump upon his back, it was quite dark when he came to the old moat of Knockgrafton, which stood on the right-hand side of his road. Tired and weary was he, and noways comfortable in his own mind at thinking how much farther he had to travel, and that he should be walking all the night; so he sat down under the moat to rest himself, and began looking mournfully enough upon the moon.
Presently there rose a wild strain of unearthly melody upon the ear of little Lusmore; he listened, and he thought that he had never heard such ravishing music before. It was like the sound of many voices, each mingling and blending with the other so strangely that they seemed to be one, though all singing different strains, and the words of the song were these--
Da Luan, Da Mort, Da Luan, Da Mort, Da Luan, Da Mort;
when there would be a moment's pause, and then the round of melody went on again.
Lusmore listened attentively, scarcely drawing his breath lest he might lose the slightest note. He now plainly perceived that the singing was within the moat; and though at first it had charmed him so much, he began to get tired of hearing the same round sung over and over so often without any change; so availing himself of the pause when the Da Luan, Da Mort, had been sung three times, he took up the tune, and raised it with the words augus Da Cadine, and then went on singing with the voices inside of the moat, Da Luan, Da Mort, finishing the melody, when the pause again came, with augus Da Cadine.
The fairies within Knockgrafton, for the song was a fairy melody, when they heard this addition to the tune, were so much delighted that, with instant resolve, it was determined to bring the mortal among them, whose musical skill so far exceeded theirs, and little Lusmore was conveyed into their company with the eddying speed of a whirlwind.
Glorious to behold was the sight that burst upon him as he came down through the moat, twirling round and round, with the lightness of a straw, to the sweetest music that kept time to his motion. The greatest honour was then paid him, for he was put above all the musicians, and he had servants tending upon him, and everything to his heart's content, and a hearty welcome to all; and, in short, he was made as much of as if he had been the first man in the land.
Presently Lusmore saw a great consultation going forward among the fairies, and, notwithstanding all their civility, he felt very much frightened, until one stepping out from the rest came up to him and said,--
Doubt not, nor deplore,
For the hump which you bore
On your back is no more;
Look down on the floor,
And view it, Lusmore!"
When these words were said, poor little Lusmore felt himself so light, and so happy, that he thought he could have bounded at one jump over the moon, like the cow in the history of the cat and the fiddle; and he saw, with inexpressible pleasure, his hump tumble down upon the ground from his shoulders. He then tried to lift up his head, and he did so with becoming caution, fearing that he might knock it against the ceiling of the grand hall, where he was; he looked round and round again with greatest wonder and delight upon everything, which appeared more and more beautiful; and, overpowered at beholding such a resplendent scene, his head grew dizzy, and his eyesight became dim. At last he fell into a sound sleep, and when he awoke he found that it was broad daylight, the sun shining brightly, and the birds singing sweetly; and that he was lying just at the foot of the moat of Knockgrafton, with the cows and sheep grazing peacefully round about him. The first thing Lusmore did, after saying his prayers, was to put his hand behind to feel for his hump, but no sign of one was there on his back, and he looked at himself with great pride, for he had now become a well-shaped dapper little fellow, and more than that, found himself in a full suit of new clothes, which he concluded the fairies had made for him.
Towards Cappagh he went, stepping out as lightly, and springing up at every step as if he had been all his life a dancing-master. Not a creature who met Lusmore knew him without his hump, and he had a great work to persuade every one that he was the same man--in truth he was not, so far as outward appearance went.
Of course it was not long before the story of Lusmore's hump got about, and a great wonder was made of it. Through the country, for miles round, it was the talk of every one, high and low.
One morning, as Lusmore was sitting contented enough, at his cabin door, up came an old woman to him, and asked him if he could direct her to Cappagh.
"I need give you no directions, my good woman," said Lusmore, "for this is Cappagh; and whom may you want here?"
"I have come," said the woman, "out of Decie's country, in the county of Waterford looking after one Lusmore, who, I have heard tell, had his hump taken off by the fairies; for there is a son of a gossip of mine who has got a hump on him that will be his death; and maybe if he could use the same charm as Lusmore, the hump may be taken off him. And now I have told you the reason of my coming so far: 'tis to find out about this charm, if I can."
Lusmore, who was ever a good-natured little fellow, told the woman all the particulars, how he had raised the tune for the fairies at Knockgrafton, how his hump had been removed from his shoulders, and how he had got a new suit of clothes into the bargain.
The woman thanked him very much, and then went away quite happy and easy in her own mind. When she came back to her gossip's house, in the county of Waterford, she told her everything that Lusmore had said, and they put the little hump-backed man, who was a peevish and cunning creature from his birth, upon a car, and took him all the way across the country. It was a long journey, but they did not care for that, so the hump was taken from off him; and they brought him, just at nightfall, and left him under the old moat of Knockgrafton.
Jack Madden, for that was the humpy man's name, had not been sitting there long when he heard the tune going on within the moat much sweeter than before; for the fairies were singing it the way Lusmore had settled their music for them, and the song was going on; Da Luan, Da Mort, Da Luan, Da Mort, Da Luan, Da Mort, augus Da Cadine, without ever stopping. Jack Madden, who was in a great hurry to get quit of his hump, never thought of waiting until the fairies had done, or watching for a fit opportunity to raise the tune higher again than Lusmore had; so having heard them sing it over seven times without stopping, out he bawls, never minding the time or the humour of the tune, or how he could bring his words in properly, augus Da Cadine, augus Da Hena, thinking that if one day was good, two were better; and that if Lusmore had one new suit of clothes given him, he should have two.
No sooner had the words passed his lips than he was taken up and whisked into the moat with prodigious force; and the fairies came crowding round about him with great anger, screeching, and screaming, and roaring out, "Who spoiled our tune? who spoiled our tune?" and one stepped up to him, above all the rest and said:
"Jack Madden! Jack Madden!
Your words came so bad in
The tune we felt glad in;--
This castle you're had in,
That your life we may sadden;
Here's two humps for Jack Madden!"
And twenty of the strongest fairies brought Lusmore's hump and put it down upon poor Jack's back, over his own, where it became fixed as firmly as if it was nailed on with twelve-penny nails, by the best carpenter that ever drove one. Out of their castle they then kicked him; and, in the morning, when Jack Madden's mother and her gossip came to look after their little man, they found him half dead, lying at the foot of the moat, with the other hump upon his back. Well to be sure, how they did look at each other! but they were afraid to say anything, lest a hump might be put upon their own shoulders. Home they brought the unlucky Jack Madden with them, as downcast in their hearts and their looks as ever two gossips were; and what through the weight of his other hump, and the long journey, he died soon after, leaving they say his heavy curse to any one who would go to listen to fairy tunes again.
SOURCE: Croker, Fairy Legends of South of Ireland.
PARALLELS: Parnell's poem, Edwin and Sir Topaz, contains the same story. As he was born in Dublin, 1679, this traces the tale back at least 200 years in Ireland. Practically the same story, however, has been found in Japan, and translated into English under the title, "Kobutori; or, The Old Man and the Devils." In the story published by Kobunsha, Tokio, the Old Man has a lump on the side of his face. He sees the demons dancing, and getting exhilarated, joins in. Thereupon the devils are so delighted that they wish to see him again, and as a pledge of his return take away from him his lump. Another old man, who has a similar lump on the other side of his face, hearing of this, tries the same plan, but dances so badly that the devils, not wishing to see him again, and mistaking him for the other old man, give him back the lump, so that he has one on each side of his face.
I may add here that Mr. York Powell informs me that No. xvii. of the same series, entitled, "Shippietaro," contains a parallel to the "Hobyahs" of More English Tales.
REMARKS: Here we have a problem of diffusion presented in its widest form. There can be little doubt that "The Legend of Knockgrafton" and "Kobutori," one collected in Ireland and to be traced there for the last 200 years, and the other collected at the present day in Japan, are one and the same story, and it is impossible to imagine they were independently produced. Considering that Parnell could not have come across the Japanese version, we must conclude that "Kobutori" is a recent importation into Japan. On the other hand, as "the Hobyahs" cannot be traced in England, and was collected from a Scottish family settled in the United States, where Japanese influence has been considerable, it is possible that this tale was derived from Japan within the memory of men still living. It would be highly desirable to test these two cases, in which we seem to be able to observe the process of the diffusion of Folk Tales going on before our eyes.
Legend of Knockgrafton, The
More Celtic Fairy Tales
Year of Publication:
Country of Origin:
ATU 503: The Gifts of the Little People