IN THE days of King Chung-jong (A.D. 1507-1526) there lived a beggar in Seoul, whose face was extremely ugly and always dirty. He was forty years of age or so, but still wore his hair down his back like an unmarried boy. He carried a bag over his shoulder, and went about the streets begging. During the day he went from one part of the city to the other, visiting each section, and when night came on he would huddle up beside some one's gate and go to sleep. He was frequently seen in Chong-no (Bell Street) in company with the servants and underlings of the rich. They were great friends, he and they, joking and bantering as they met. He used to say that his name was Chang, and so they called him Chang To-ryong, To-ryong meaning an unmarried boy, son of the gentry. At that time the magician Chon U-chi, who was far-famed for his pride and arrogance, whenever he met Chang, in passing along the street, would dismount and prostrate himself most humbly. Not only did he bow, but he seemed to regard Chang with the greatest of fear, so that he dared not look him in the face. Chang, sometimes, without even inclining his head, would say, "Well, how goes it with you, eh?" Chon, with his hands in his sleeves, most respectfully would reply, "Very well, sir, thank you, very well." He had fear written on all his features when he faced Chang.
Sometimes, too, when Chon would bow, Chang would refuse to notice him at all, and go by without a word. Those who saw it were astonished, and asked Chon the reason. Chon said in reply, "There are only three spirit-men at present in Cho-sen, of whom the greatest is Chang To-ryong; the second is Cheung Puk-chang; and the third is Yun Se-pyong. People of the world do not know it, but I do. Such being the case, should I not bow before him and show him reverence?"
Those who heard this explanation, knowing that Chon himself was a strange being, paid no attention to it.
At that time in Seoul there was a certain literary undergraduate in office whose house joined hard on the street. This man used to see Chang frequently going about begging, and one day he called him and asked who he was, and why he begged. Chang made answer, "I was originally of a cultured family of Chulla Province, but my parents died of typhus fever, and I had no brothers or relations left to share my lot. I alone remained of all my clan, and having no home of my own I have gone about begging, and have at last reached Seoul. As I am not skilled in any handicraft, and do not know Chinese letters, what else can I do?" The undergraduate, hearing that he was a scholar, felt very sorry for him, gave him food and drink, and refreshed him.
From this time on, whenever there was any special celebration at his home, he used to call Chang in and have him share it.
On a certain day when the master was on his way to office, he saw a dead body being carried on a stretcher off toward the Water Gate. Looking at it closely from the horse on which he rode, he recognized it as the corpse of Chang To-ryong. He felt so sad that he turned back to his house and cried over it, saying, "There are lots of miserable people on earth, but who ever saw one as miserable as poor Chang? As I reckon the time over on my fingers, he has been begging in Bell Street for fifteen years, and now he passes out of the city a dead body."
Twenty years and more afterwards the master had to make a journey through South Chulla Province. As he was passing Chi-i Mountain, he lost his way and got into a maze among the hills. The day began to wane, and he could neither return nor go forward. He saw a narrow footpath, such as woodmen take, and turned into it to see if it led to any habitation. As he went along there were rocks and deep ravines. Little by little, as he advanced farther, the scene changed and seemed to become strangely transfigured. The farther he went the more wonderful it became. After he had gone some miles he discovered himself to be in another world entirely, no longer a world of earth and dust. He saw some one coming toward him dressed in ethereal green, mounted and carrying a shade, with servants accompanying. He seemed to sweep toward him with swiftness and without effort. He thought to himself, "Here is some high lord or other coming to meet me, but," he added, "how among these deeps and solitudes could a gentleman come riding so?" He led his horse aside and tried to withdraw into one of the groves by the side of the way, but before he could think to turn the man had reached him. The mysterious stranger lifted his two hands in salutation and inquired respectfully as to how he had been all this time. The master was speechless, and so astonished that he could make no reply. But the stranger smilingly said, "My house is quite near here; come with me and rest."
He turned, and leading the way seemed to glide and not to walk, while the master followed. At last they reached the place indicated. He suddenly saw before him great palace halls filling whole squares of space. Beautiful buildings they were, richly ornamented. Before the door attendants in official robes awaited them. They bowed to the master and led him into the hall. After passing a number of gorgeous, palace-like rooms, he arrived at a special one and ascended to the upper storey, where he met a very wonderful person. He was dressed in shining garments, and the servants that waited on him were exceedingly fair. There were, too, children about, so exquisitely beautiful that it seemed none other than a celestial palace. The master, alarmed at finding himself in such a place, hurried forward and made a low obeisance, not daring to lift his eyes. But the host smiled upon him, raised his hands and asked, "Do you not know me? Look now." Lifting his eyes, he then saw that it was the same person who had come riding out to meet him, but he could not tell who he was. "I see you," said he, "but as to who you are I cannot tell."
The kingly host then said, "I am Chang To-ryong. Do you not know me?" Then as the master looked more closely at him he could see the same features. The outlines of the face were there, but all the imperfections had gone, and only beauty remained. So wonderful was it that he was quite overcome.
A great feast was prepared, and the honoured guest was entertained. Such food, too, was placed before him as was never seen on earth. Angelic beings played on beautiful instruments and danced as no mortal eye ever looked upon. Their faces, too, were like pearls and precious stones.
Chang To-ryong said to his guest, "There are four famous mountains in Korea in which the genii reside. This hill is one. In days gone by, for a fault of mine, I was exiled to earth, and in the time of my exile you treated me with marked kindness, a favour that I have never forgotten. When you saw my dead body your pity went out to me; this, too, I remember. I was not dead then, it was simply that my days of exile were ended and I was returning home. I knew that you were passing this hill, and I desired to meet you and to thank you for all your kindness. Your treatment of me in another world is sufficient to bring about our meeting in this one." And so they met and feasted in joy and great delight.
When night came he was escorted to a special pavilion, where he was to sleep. The windows were made of jade and precious stones, and soft lights came streaming through them, so that there was no night. "My body was so rested and my soul so refreshed," said he, "that I felt no need of sleep."
When the day dawned a new feast was spread, and then farewells were spoken. Chang said, "This is not a place for you to stay long in; you must go. The ways differ of we genii and you men of the world. It will be difficult for us ever to meet again. Take good care of yourself and go in peace." He then called a servant to accompany him and show the way. The master made a low bow and withdrew. When he had gone but a short distance he suddenly found himself in the old world with its dusty accompaniments. The path by which he came out was not the way by which he had entered. In order to mark the entrance he planted a stake, and then the servant withdrew and disappeared.
The year following the master went again and tried to find the citadel of the genii, but there were only mountain peaks and impassable ravines, and where it was he never could discover.
As the years went by the master seemed to grow younger in spirit, and at last at the age of ninety he passed away without suffering. "When Chang was here on earth and I saw him for fifteen years," said the master, "I remember but one peculiarity about him, namely, that his face never grew older nor did his dirty clothing ever wear out. He never changed his garb, and yet it never varied in appearance in all the fifteen years. This alone would have marked him as a strange being, but our fleshly eyes did not recognize it."
Im Bang.
Taoism has been one of the great religions of Korea. Its main thought is expressed in the phrase su-sim yon-song, "to correct the mind and reform the nature"; while Buddhism's is myong-sim kyon-song, "to enlighten the heart and see the soul."
The desire of all Taoists is "eternal life," chang-saing pul-sa; that of the Buddhists, to rid oneself of fleshly being. In the Taoist world of the genii, there are three great divisions: the upper genii, who live with God; the midway genii, who have to do with the world of angels and spirits; and the lower genii, who rule in sacred places on the earth, among the hills, just as we find in the story of Chang To-ryong.