Note about my adaptation of the story: Joseph Jacobs based his The Story of the Three Bears on one of the earliest literary versions of the tale by Robert Southey. This version does not feature the now familiar Goldilocks, but a little, old vagrant woman instead. For my annotated version of the tale, I have altered Jacobs' version to reflect Goldilocks by name and description instead of the little old woman. I kept the extra descriptions of the old woman's illegal and uncouth activities although many of these are usually removed in the Goldilocks variants. I wanted to keep the references for annotating. Personally, I just like these references as they portray Goldilocks as the juvenile delinquent she has always been in my view of the story. You can read more about these changes and variants on the History of Goldilocks and the Three Bears page and in the notes below. You can read the unaltered story from Jacobs' English Fairy Tales at The Story of the Three Bears.
1. Three Bears: The three bears have shared various relationships as the story has evolved. In Southey's early version, the one we read here, the bears are not described as a traditional family of father, mother, and child. Although they share a home, they may not be related.
The Three Bears are the joint protagonist of the story. They are
introduced and described in the story before Goldilocks arrives.
Many versions of the story are simply titled The Three Bears, with no mention of Goldilocks. Over time, as Goldilocks has
gained recognition with the story, her name has been included in
the title. In these earliest versions, all three of the bears are
male, referenced by masculine pronouns.
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2. Who lived together in a house of their own: Note that these bears do not live in caves or any place normally
associated with bears. From their first moment on the page, these
bears are the epitome of civilized, human society. These bears
live in a house, the symbol of community, not barbarism.
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3. Little, Small, Wee Bear: Although Goldilocks (or one of her predecessors) is the only
human in the story, the smallest bear often becomes the
sympathetic protagonist for tellers, writers, illustrators,
readers, and listeners of the story, especially children. As the
three bears changed familial status through various retellings,
the smallest bear became 'Baby Bear,' the child of the two bigger
bears. Most often the baby bear is male, but sometimes it's gender
is not designated. The youngest bear is rarely portrayed as
female.
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4. Middle-sized Bear: As the three bears transformed into a nuclear family through
various retellings, the middle-sized bear acquired feminine traits
and became the mother/wife in the family.
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5. Great, Huge Bear: As the three bears transformed into a nuclear family through
various retellings, the largest bear acquired masculine traits and
became the father/husband in the family.
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6. Porridge: Porridge
is a "soft food made by boiling oatmeal or other meal or legumes
in water or milk until thick" (WordNet). Note that the bears are not introduced as carnivorous. The
concept that they have cooked porridge for their meal, as well as
the other clues of civilized behavior, lessens the anxiety over
Goldilocks' welfare during the story.
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7. They walked out into the wood while the porridge was cooling,
that they might not burn their mouths: The bears while appearing civilized in their habitat, are also
refined in their behavior. They do not plan to gulp their food or
eat it before it is cool. Instead, they practice patience and
decide to go for a walk while waiting for the proper time to eat
their breakfast. The bears are polite and peaceful, at least until
their home is wrecked by a trespasser.
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8. A little Girl named Goldilocks: Goldilocks is not present in Southey's original version. The trespasser is a little old Woman instead. Goldilocks has actually enjoyed many incarnations and names.
Twelve years after Southey's story was first published in 1837, Joseph Cundall changed the old woman into a young girl named 'Silver Hair' in the version he published in his Treasury of Pleasure Books for Young Children (1849). He apparently felt there were too many stories with old women, and wanted to present a young girl in the story instead, perhaps for didactic reasons. Then in 1858 the character was dubbed 'Silver-Locks' in Aunt Mavor's Nursery Tales. Next she became 'Golden Hair' around 1868 in Aunt Friendly's Nursery Book. Finally, in Old Nursery Stories and Rhymes, illustrated by John Hassall (circa 1904), she became Goldilocks. The name has stuck and been used the most often ever since (Opie 1974, 199-200).
Another early version of the story is Scrapefoot, which features a fox by the title name and is well-known in
England. Some scholars, such as Joseph Jacobs, suppose this may be
the earliest variant with the old woman in Southey's version
mistakenly replacing the fox/vixen through the simple confusion
between the terms for a harridan, old woman, or she-fox. Perhaps
we will never know which came first, the old woman or the fox. We
are certain that Goldilocks is a much later and younger version of
the character (Opie 1974, 199-200).
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9. She could not have been a good, honest little Girl: The narrator's commentary on Goldilocks' integrity is not
usually included in the story. I included these words from the
original description of the old woman by Southey/Jacobs. James
Marshall's picture book version of the tale is more judgmental of
Goldilocks than most versions, portraying her unerringly as a
selfish, rude child.
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10. First she looked in at the window, and then she peeped in at
the keyhole; and seeing nobody in the house, she lifted the
latch: Goldilocks doesn't knock on the door first. She cases the joint
and then enters when she determines no one is home. These are not
the actions of someone planning to do good. These are the actions
of someone far from innocent and inexperienced.
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11. The door was not fastened, because the Bears were good Bears,
who did nobody any harm, and never suspected that anybody would
harm them: The Bears, through their innocence, become the classic victims
of a home intruder. Since they are good, they trust the world at
large and neglect locking their door.
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12. Opened the door, and went in: Some scholars have speculated that this tale of an intruder was
adapted from Snow White's uninvited intrusion into the seven
dwarfs' home in Snow White and the Seven Dwarfs. Snow White was looking for refuge as she escaped with her life.
Goldilocks doesn't appear to have a menacing backstory, only rude
curiosity or perhaps homelessness.
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13. So first she tasted the porridge of the Great, Huge Bear, and that was too hot for her: Here begins one of the key literary devices which has contributed to this story's continued popularity and success. Goldilocks begins to test three sets of items in sets of three. She tries each of the three bears' porridge, chairs, and beds. Her discoveries and the pattern of discovery adds to the story's charm. Later, the bears will discover the intrusion in sets of three with their own similar but different responses.
The number and/or pattern of three often appears in fairy tales to provide rhythm and suspense. The pattern adds drama and suspense while making the story easy to remember and follow. The third event often signals a change and/or ending for the listener/reader. A third time also disallows coincidence such as two repetitive events would suggest.
The reasons and theories behind three's popularity are numerous
and diverse. The number has been considered powerful across
history in different cultures and religions, but not all of them.
Christians have the Trinity, the Chinese have the Great Triad
(man, heaven, earth), and the Buddhists have the Triple Jewel
(Buddha, Dharma, Sanga). The Greeks had the Three Fates.
Pythagoras considered three to be the perfect number because it
represented everything: the beginning, middle, and end. Some
cultures have different powerful numbers, often favoring seven,
four and twelve.
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14. Said a bad word about that: I included these words from the original description of the old
woman by Southey/Jacobs. Goldilocks usually doesn't use bad words,
but just repeats the narration, saying for example: "This porridge
is too hot!"
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15. But just right; and she liked it so well that she ate it all
up: Note that the smallest bear suffers the most from Goldilocks'
intrusion. She eats all his breakfast, breaks his chair, and
sleeps in his bed. The other bears only suffer minor
inconveniences in comparison. For this reason, the baby bear often
becomes the protagonist of the story, the character that readers,
especially children, relate to the best.
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16. She fell fast asleep: In this version of the story, Goldilocks falling asleep in a
strange home gives her some sympathy. Either she is simply
unrepentant or completely destitute. When we view her intrusion as
that of a homeless or vagrant child without a home, food, bed or
civilized training, her pathos, and consequently her sympathetic
qualities, is heightened. Of course, she could just be a spoiled
child who lives by the motto, "What's mine is mine and what's
yours is mine!" The interpretation is up to the teller and the
listener.
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17. Somebody has been at my porridge!: Southey used different fonts and text sizes to represent the
three bears' voices. I have varied the text sizes respectively in
honor of his creative publishing choices.
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18. They were wooden spoons; if they had been silver ones,
Goldilocks would have put them in her pocket: I included these words from the original description of the old
woman by Southey/Jacobs. Goldilocks, while a house breaker, home
wrecker, and food stealer, is not described as an outright thief.
The line does provide food for thought about Goldilocks' moral
limits in the story, if any exist.
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19. Their bed-chamber: Goldilocks' intrusion into the bedchamber is the ultimate
tresspass in the story and consequently the last one to take
place. Except for illness and other extenuating circumstances,
guests are not usually invited into the bedrooms of homeowners. So
far Goldilocks has intruded where a guest might be invited.
Goldilocks' limitless audacity is illustrated by her outrageous
entrance into the bedroom and testing of the beds.
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20. And here she is!: Here we have the climax of the story. All of the story's events
have been leading to this confrontation. What will happen? This
simple story is a great tool for teaching about plot building and
climaxes to students, young and old.
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21. Out Goldilocks jumped: In most traditional variants, Goldilocks jumps out the window and
runs home, vowing to never trespass again. She learns her lesson,
but restitution for her crimes is not described in the traditional
versions.
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22. Taken up by the constable and sent to the House of Correction
for a vagrant as she was: I included these words from the original description of the old
woman by Southey/Jacobs. Goldilocks isn't usually threatened with
prison or a halfway house, most likely because she is a little
girl. However, many modern day authors and playrights have
explored Goldilocks' illegal activities and their consequences.
More than one play and short story has centered on the theme of
Goldilocks' trial for breaking and entering. The theme is also
popular for mock trials in law schools. To read more about these
interptretations, visit the Modern Interpretations of Goldilocks and the Three Bears page.
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23. But the Three Bears never saw anything more of her: This story rarely ends with a "lived happily ever after" ending. The Bears have been the victims of breaking and entering as well as robbery. Goldilocks has survived and hopefully learned her lesson, but we usually aren't rooting for her anyway. Our best consolation is that the bears never see her again.
Many fractured versions of the tale involve Goldilocks apologizing
for her antics either as a child, or even as an adult years after
the event. Sometimes Goldilocks and the baby bear become friends.
The modern variations and endings are numerous. To read more about
these interptretations, visit the Modern Interpretations of Goldilocks and the Three Bears page.
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